Showing posts with label beatrix potter. Show all posts
Showing posts with label beatrix potter. Show all posts

1.09.2013

Beatrix Potter: The Picture Letters



This past weekend I returned to The Morgan Library and Museum, this time in the company of Claire and Jenna. The exhibit featuring Beatrix Potter's picture letters was the primary draw, although we also enjoyed a trip through Pierpont Morgan's study and library. It was during my first trip to the Morgan last April that I spotted one of her picture letters ("The Big Elephant is Dead"). That particular letter was not displayed in this exhibition; however, we left with an even greater appreciation of Miss Potter's craft and devotion to the minute visual details of the natural world.

Since this was just an eight-hour day trip, we saved time by taking a cab down to Tribeca for lunch at Aamaans-Copenhagen (New York City cab rates are a bargain for DC residents, anyway). There we enjoyed Danish Smørrebrød accompanying our fish entrees, rounded off with a tasty platter of three cheeses, spreads and more of that delicious brown bread. Claire and I selected a Prosecco to go with our brunch; Jenna ordered a hot chocolate. 




Claire and I then capped off the afternoon with a fascinating tour of the scandalous world of art forgery at The Metropolitan Museum of Art. With great enthusiasm and a deep knowledge of ancient cultures, our brilliant tour guide, Erin Thompson, showed us how to spot a forged work of art. We left the museum with a completely new appreciation for the cutthroat business of acquisition and the shadowy practices that sometimes accompany the need to establish provenance. Yes, folks, that ancient Greek statue may not be all it seems ....

4.07.2012

The Big Elephant is Dead

MY TRIP TO NEW YORK last weekend included a first visit to the Morgan Library and Museum. I spent several hours on Saturday afternoon slowly enjoying the whole space and the thoughtfully acquired artworks and books.

My favorite exhibit was "In the Company of Animals: Art, Literature and Music at the Morgan". From the Morgan's website: "This exhibition examines the ways in which the artists, writers, and composers represented in the Morgan's collection used animals to think and create. What does the portrayal of animals in images, words, and music reveal about companionship, meaning, and morality?"

Imagine my pleasure when I discovered a delightful letter written by Miss Potter herself to a young friend, Noel Moore. The letter, dated 6 April 1896 from 2 Bolton Gardens, London, sums up, for me, the real value of her work as an author and naturalist. As the exhibit points out, Beatrix Potter addressed death in her work in a very simple and direct manner with children. She was so much more than an author of charming picture books featuring naughty rabbits. She used the deceptively pretty animal images of quarreling geese, crafty foxes and bumbling frogs to explore many dark facets of the human experience.

Here is the text of the letter, for your enjoyment. I copied it onto the back of the museum's floor plan. I didn't have a hard surface to write on, so I had to hold the folded paper in my hand and laboriously copy it, word for word. It took 20 minutes to copy these few words. It was very difficult work, as I had to continually move the paper along my right hand while I wrote with my left. The letter is illustrated with many delicate line drawings of the scenes as described. There are pictograms of a shovel and pail inserted where indicated, below.

My Dear Noel,

Thank you for your nice letter. I should like to see you riding the big dog - here is a picture of Tom Thumb on a mouse. We are going to Savanage next Monday; I am sure you must have enjoyed Felixstow. I daresay you had a [shovel] and a [pail]. I expect to find some shells. I went to the zoo and it rained. The seals seemed to like the rain but most of the animals were in their little houses. The big elephant is dead. What a pity! They went to Mr. Rhind, a chemist, for some medicine, but it died.

It is going to be put in the museum. There is a new lion at the Zoo, which is so savage, it made a great noise. I have got some pretty hyacinths in my garden. The sparrows are naughty. They pull off the flowers. There are two nests, just under the gutter at the top of our house. We see them flying up with grass to make the nest. We do not like it because the little birds fall out onto our door-steps. I hope that you and Eric will have a very good time and with love I remain 

aff. yrs. Beatrix Potter

ONE more little item in the exhibit that caught my fancy ....

William Blake's poem, "The Tyger (From Songs of Experience)", accompanied by a watercolor portrait [artist unknown] of the fierce animal. The opening lines of this poem hold great meaning for me, as I think of a particularly special person.

Tyger! Tyger! burning bright
In the forests of the night
What immortal hand or eye
Could frame thy fearful symmetry?

Take a look at a few more of the featured works here on the Morgan Library's site. 

5.05.2009

Welcome

A TEA PARTY GONE WRONG. Ribby, the hostess, has no idea that that her guest, Duchess, has replaced her main course - a pie made of mouse - with a pie made of veal and ham. And how does Duchess get away with this little sleight of hand? She and Ribby own identical pink-and-white pie dishes, both purchased from Tabitha Twitchit's shop in town. 

The Pie and the Patty Pan has always charmed me.  Foxgloves and delphiniums overflow in Duchess' front yard. The postman delivers the tea party invitation from Ribby on the very same day it is sent to Duchess. And when they pass each other earlier in the day, before the party, they don't speak, because they are going to see each other in a much more formal social setting later in the day!

A gentler age perhaps.